Caffe Cino Pictures

The Cino Year By Year » LudlowYearByYear

Immediately following "The Family Joke," LANFORD WILSON's "Ludlow Fair," a rich portrait of plain roommate JENNY VENTRISS and pretty one MARTHA GALPHIN, representing the other extreme of Cino style from KOUTOUKAS' camp: a warm, wise, sentimental "poetic realsm" as producer Richard Barr later termed it. Photo by JAMES D. GOSSAGE.

Immediately following “The Family Joke,” LANFORD WILSON’s “Ludlow Fair,” a rich portrait of plain roommate JENNY VENTRISS and pretty one MARTHA GALPHIN, representing the other extreme of Cino style from KOUTOUKAS’ camp: a warm, wise, sentimental “poetic realsm” as producer Richard Barr later termed it. Photo by JAMES D. GOSSAGE.

Village Voice February 4, 1965. DAVID STARKWEATHER's rigorously-disciplined, often wry and acerbic works were outstanding at the Cino. More than one admiring writer said, "David is too smart to be writing for the stage." Although he was a major Cino playwright, he has chosen not to cooperate in the archiving of Cino materials, or there would be a great deal more about him on these pages.
1965: JEAN-CLAUDE VAN ITALLIE's "War" played but one performance, for the Cino burned after its opening night. Here are GERRY RAGNI, Jerome Dempsey. and JANE LOWRY in a production at Barr-Albee-Wilder Playwrights Unit on Van Dam Street, December 22 and 23, 1963. In the Cino production, JOHN COE replaced Dempsey.
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