Caffe Cino Pictures

Miss A Week, and You Missed A World » hurrahforthebridge-11a

A city terrified of street violence. Paul Foster's Hurrah for the Bridge!, 1963. Photo by Conrad Ward.

A city terrified of street violence. Paul Foster’s Hurrah for the Bridge!, 1963. Photo by Conrad Ward.

A city terrified of street violence. Paul Foster’s Hurrah for the Bridge!, 1963. Photo by Conrad Ward.

A Looney Tunes, drag, Dickensian London. Soren Agenoux's Chas. Dickens' Christmas Carol," 1966. Photo by Billy Name/OvoWorks, Inc.
A laundromat terrified by primitive jealousy. H.M. Kotoukas' Medea, 1965. Photo: Conrad Ward. Playwright Paul Foster describes the effect of the play's climax: 'Medea was there for you to reach out and touch, forming the unspeakable crime of infanticide in her mind. Then she threw her baby into a laundromat and washed it to death with Oxydol. She slammed the lid down and set the dial on HEAVY LOAD. How can you forget things like that?"
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