incidents91

Facing east, toward Cornelia Street. South wall at right. The door is open, for you can see behind the woman in glasses KENNY BURGESS’ outside door panel (the big ‘Ci’ of ‘Cino’). Above the ‘EXIT’ sign, the long storage loft where curtains and occasionally homeless Cinoites were stored. (Note: * WILLIAM M. HOFFMAN reminds me that the loft was also where MICHAEL GRISWOLD was stowed for his half of a phone conversation with LINDA ESKENAS in Hoffman’s Good Night, I Love You (1965). See other treatments of that conversation HERE and sixth row HERE.

Facing east, toward Cornelia Street. South wall at right. The door is open, for you can see behind the woman in glasses KENNY BURGESS’ outside door panel (the big ‘Ci’ of ‘Cino’). Above the ‘EXIT’ sign, the long storage loft where curtains and occasionally homeless Cinoites were stored. (Note: * WILLIAM M. HOFFMAN reminds me that the loft was also where MICHAEL GRISWOLD was stowed for his half of a phone conversation with LINDA ESKENAS in Hoffman’s Good Night, I Love You (1965). See other treatments of that conversation HERE and sixth row HERE.