Caffe Cino Pictures

Issues » Hurrah for the Bridge

PAUL FOSTER's 1963 Hurrah for the Bridge contrasted the helplessness of a pushcart man being attacked by vandals with his former revolutionary zeal and idealism. Far right, KEITH CARSEY (photo by CONRAD WARD).

PAUL FOSTER’s 1963 Hurrah for the Bridge contrasted the helplessness of a pushcart man being attacked by vandals with his former revolutionary zeal and idealism. Far right, KEITH CARSEY (photo by CONRAD WARD).

PAUL FOSTER’s 1963 Hurrah for the Bridge contrasted the helplessness of a pushcart man being attacked by vandals with his former revolutionary zeal and idealism. Far right, KEITH CARSEY (photo by CONRAD WARD).

DORIC WILSON's Now She Dances!, 1961, was way ahead of its time in presenting a gay protestor (John the Baptist in a Victorianized Salome) before there were gay protestors. Above, Herodias, Salome, and Sir Herod in a 2000 Glasgow revival. (photos courtesy director Stephen J. Bottoms)
Four Cino plays dealt with the Vietnam war in terms of at-home relationships: (1) my Indecent Exposure-- protestor GEORGE LINJERIS is busted walking the streets nude with his draft card strapped to his arm. Lit with one bulb by JOHN DODD. Photo JAMES D. GOSSAGE.
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