Caffe Cino Pictures

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SEXUAL OBSESSION in TOM EYEN's 1968 Who Killed My Bald Sister Sophie? (HELEN HANFT and CONNIE CLARK cannot clutch STEVE VAN VOST/DAVIS closely enough to smother his or their anxiety.).

SEXUAL OBSESSION in TOM EYEN’s 1968 Who Killed My Bald Sister Sophie? (HELEN HANFT and CONNIE CLARK cannot clutch STEVE VAN VOST/DAVIS closely enough to smother his or their anxiety.).

SEXUAL OBSESSION in TOM EYEN’s 1968 Who Killed My Bald Sister Sophie? (HELEN HANFT and CONNIE CLARK cannot clutch STEVE VAN VOST/DAVIS closely enough to smother his or their anxiety.).

SEXUAL FRIGIDITY in LANFORD WILSON's 1967 The Sandcastle (BILL HAISLIP gets rough when he discovers ROBBIE MC CAULEY is just a tease.)
MISSED CHANCE. The Cino might have been the fountainhead of feminist theatre if not for my prudery. CHARLES STANLEY begged me to direct a play by a fetid, somehow fetal woman who wandered in. But I found its coprophagic theme disgusting, so VALERIE SOLANIS took UpYour Ass elsewhere, to Andy Warhol, whom she shot for not producing it. Above you can see, from the film I Shot Andy Warhol, the play being presented in a diner by Lili Taylor, who, believe me, imitates Valerie with perfect verisimilitude.
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