Caffe Cino Pictures

Issues » Phoebe Wray

In 1967's French Gray, JOSEF BUSH, through imprisoned Marie Antoinette (unforgettable PHOEBE WRAY), expressed the outcast American aesthete's bafflement that the poor preferred food to expensive displays of costumes and jewelry.

In 1967′s French Gray, JOSEF BUSH, through imprisoned Marie Antoinette (unforgettable PHOEBE WRAY), expressed the outcast American aesthete’s bafflement that the poor preferred food to expensive displays of costumes and jewelry.

In 1967′s French Gray, JOSEF BUSH, through imprisoned Marie Antoinette (unforgettable PHOEBE WRAY), expressed the outcast American aesthete’s bafflement that the poor preferred food to expensive displays of costumes and jewelry.

TOM EYEN's 1964 The White Whore and the Bit Player posed the question of identity in a media-saturated America through the metaphor of an insane asylum where superstar MARIE-CLARE CHARBA and hopeless movie hopeful HELEN HANFT envied, deplored, and repeatedly became each other.Photo: JAMES D. GOSSAGE.
More characteristic Cino themes were: CO-DEPENDENCY in my 1964 The Haunted Host (The Host even slips into the beautiful Guest's inside-out jacket before shaking free of his fixation with the line, "I never wanted to buy you. I wanted to be you.")
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