Caffe Cino Pictures

Issues » Now She Dances

DORIC WILSON's Now She Dances!, 1961, was way ahead of its time in presenting a gay protestor (John the Baptist in a Victorianized Salome) before there were gay protestors. Above, Herodias, Salome, and Sir Herod in a 2000 Glasgow revival. (photos courtesy director Stephen J. Bottoms)

DORIC WILSON’s Now She Dances!, 1961, was way ahead of its time in presenting a gay protestor (John the Baptist in a Victorianized Salome) before there were gay protestors. Above, Herodias, Salome, and Sir Herod in a 2000 Glasgow revival. (photos courtesy director Stephen J. Bottoms)

DORIC WILSON’s Now She Dances!, 1961, was way ahead of its time in presenting a gay protestor (John the Baptist in a Victorianized Salome) before there were gay protestors. Above, Herodias, Salome, and Sir Herod in a 2000 Glasgow revival. (photos courtesy director Stephen J. Bottoms)

PAUL FOSTER's 1963 Hurrah for the Bridge contrasted the helplessness of a pushcart man being attacked by vandals with his former revolutionary zeal and idealism. Far right, KEITH CARSEY (photo by CONRAD WARD).
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