Crucifixions

First, death. Here are crucifixions of (left to right, top to bottom) MARIE-CLARE CHARBA in TOM EYEN’s The White Whore and the Bit Player, La Mama (Marilyn Roberts is the nun, gazing at Beverly Atkinson, and Beth Porter extends an arm); Reynolds Callender in DONALD L. BROOKS’ Superfreak, Playbox Studio; CHARLES STANLEY in his own The Sun King,Theatre Genesis; unknown in H.M. KOUTOUKAS’ Turtles Don’t Dream, Theater for the New City; JOSEPH PICHETTE in my Dynel, The Old Reliable Theatre Tavern; GARY SWARTZ in JOE RENARD’s The Word of God, W.P.A.

First, death. Here are crucifixions of (left to right, top to bottom) MARIE-CLARE CHARBA in TOM EYEN’s The White Whore and the Bit Player, La Mama (Marilyn Roberts is the nun, gazing at Beverly Atkinson, and Beth Porter extends an arm); Reynolds Callender in DONALD L. BROOKS’ Superfreak, Playbox Studio; CHARLES STANLEY in his own The Sun King,Theatre Genesis; unknown in H.M. KOUTOUKAS’ Turtles Don’t Dream, Theater for the New City; JOSEPH PICHETTE in my Dynel, The Old Reliable Theatre Tavern; GARY SWARTZ in JOE RENARD’s The Word of God, W.P.A.