Hope Stansbury and Milligan Movies

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How to explain HOPE STANSBURY’s personal fascination? From a website called 1972Glamour, “Her [Candy Darling's] first assumed name was Hope Slattery. According to Bob Colacello, Candy adopted this name sometime in 1963/1964 after she started going to gay bars in Manhattan and making visits to a doctor on Fifth Avenue for hormone injections. Jackie Curtis stated that Candy adopted the name from a girl named HOPE STANSBURY who she lived with for a few months in an apartment behind the Caffe Cino so she could study her.”

Note: William M. Hoffman addendum at last photo.

writer/actress/idol HOPE STANSBURY

Newspaper ad for Vapors, a film which Hope wrote.

See a long clip from VAPORS, HERE.

Hope’s profile, bottom center.

The Degenerates

Depraved

With Eric Concklin in The Rats are Coming…

“..me getting raped in The Degenerates or Depraved..not sure which one…”

With the title characters of The Rats Are Coming…

With Helen Hanft as title characters in Tom Eyen’s Women Behind Bars…

In For Love of Ivy (1968)

A Vapors reunion–actors Gerald Jacuzzo and Larry Ree flanking author Hope, “having fun in a blond wig.”

“Seeds” author John Borske and star Patti Dillon.

Jack Nicholson visited backstage at Tom Eyen’s The Neon Woman, directed by Ron Link, with Helen, Hope, Bill Duffy, and Brenda Bergman.

Kevin O’Connor, John Patrick Hurley, and Hope played the roles created onscreen by Richard Dreyfuss, Stephen Davies, and Veronica Cartwright in John Byrum’s Inserts, directed by Larry Loonin.

Hope in a Village Voice article on Movie Star fashions

Bill Edgar and Hope in Tom Eyen’s “Neon Woman” Off-Broadway

More “Neon Woman.” HOPE STANSBURY, HELEN HANFT, and Unidentified.

Of John Borske’s remark on this page about Milligan using faceless body doubles to add sex-scenes to his movies, William M. Hoffman (above, at about the time of the story) comments: “Andy used me as a nude body double with a body double woman wearing a blond wig (for what movie, I don’t know). The original movie, he told me, had been shot in England and they needed nude scenes to make it marketable. The shoot was in my kitchen. Don’t forget that Andy and I lived in the same building, 199 Prince Street, where I now live and where Hope and Andy’s bathhouse movie, Vapors was shot.” photo by JAMES D. GOSSAGE