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<<<Back to “Indecent Exposure,” play by Robert Patrick, done at Caffe Cino 1966 On to Odds and Ends – 1
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Many images below from photos by JAMES D. GOSSAGE.
Poets, they say, are inspired by “the shock of beauty and the shock of death.” Here are some examples of both.
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First, death. Here are crucifixions of (left to right, top to bottom) MARIE-CLARE CHARBA in TOM EYEN’s The White Whore and the Bit Player, La Mama (Marilyn Roberts is the nun, gazing at Beverly Atkinson, and Beth Porter extends an arm); Reynolds Callender in DONALD L. BROOKS’ Superfreak, Playbox Studio; CHARLES STANLEY in his own The Sun King,Theatre Genesis; unknown in H.M. KOUTOUKAS’ Turtles Don’t Dream, Theater for the New City; JOSEPH PICHETTE in my Dynel, The Old Reliable Theatre Tavern; GARY SWARTZ in JOE RENARD’s The Word of God, W.P.A.
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Beauty: CONNIE CLARK, EDITH LAURIE, SYLVIENNE STRAUSS, painting of HOPE STANSBURY, BERNADETTE PETERS, MAGIE DOMINIC, LINDA ESKENAS,…
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MARI-CLAIRE CHARBA, PHOEBE WRAY, JANE LOWRY, MARY WORONOV,
CLARIS NELSON, DEBORAH LEE/LAWLOR, ZITA LITVINAS, LUCY SILVAY…
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…and MATT BAYLOR, WILLIAM M. HOFFMAN, JIM JENNINGS, BILL HAISLIP, DEAN SELMIER, LANFORD WILSON, MICHAEL POWELL, STEVE VAN VOST/DAVIS, PETER BROWN, VICTOR LI PARI, JOHN GILMAN, DAVID CHRISTMAS, FRED FORREST, and KEITH CARSEY.
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